Friday, November 6, 2015

Dzogchen’s three divisions and the All Basis Wisdom by Traktung Khepa

Dzogchen’s three divisions and the All Basis Wisdom
By request, from a talk by t.k. on Dzogche’s basis: I have a few minutes so I can swiftly give you a bit of an outline in answer to your question on traditional Mahamudra and Dzogchen sources for understanding this topic.
Here, in this wisdom that is AwarenessAppearance as a single word – this AppearanceLove as a single word, Mind’s own nature reveals itself to itself through the play-filled manifestation of itself. It also falls ino confusion … about what? About itself! How? Through misunderstanding Itself – its own radiant non-dual play as knower and known, apprehender and apprehended ………. Nothing strays from the way of abiding of great wholeness. If we KNOW this and not just the words then the end of suffering is experienced and ones actions become the aimless great love that intentionlessly works to benefit illusory samsaric beings.
There are several ways to look at the question of what is the saltshaker, from a more fleshed out Nyingmapa vision than this metaphor allows. The two major ways one can understand this question are according to a system that admits of an “all basis wisdom” or one that does not. Systems such as Dzogchen and Mahamudra do admit of an all basis wisdom but other systems admit only of an all basis consciousness. In my opinion the best exposition of this is to be found in 3rd Karmapa’s Profound Inner Reality within the sections on Nature and Manifestation of Mind and How Delusion Occurs and also Longchenpa’s cpmmentary on Guyagharba.
Part I the all basis wisdom - First lets consider for a moment the sublime Nyingmapa Dzogpa Chenpo view – the King of All Paths:
In Reciting the Names of Manjushri it says “The Transcendent dharmata of consciousness/ Holds wisdom in a non dual manner.” Here the Sugatagharba is understood as the all basis wisdom … again Saraha says “the mind, which is like a wish fulfilling jewel” When we look at how appearances arise from the point of view of Dzogchen we speak of the Semde, Longde and Mengnakde views. According to Semde appearances are the Rolpa Tsal – the creative protean energy of awareness itself. Appearances are the luminous wisdom rays of Mind’s own potency. From the Longde vision appearances are like planets and stars in the sky. Semde view is like the body and longde’s view is like the heart. Longde’s view is more profound than Semde.
Within Semde view one regards all outer appearances like a dream. The inner sense faculties are like those of a non-existent person and in between these the seeming arising, ceasing, and remaining are without any true basis or root. Outer appearances are nothing other than mind’s potency, inner mind’s perceiving is simply radiant clarity and the six consciousnesses are like space. Appearances are simply the play of mind. Dungse Thinley Norbu Rinpoche has written – perceiving is the deity, the mind that perceives is sunyata and the display of appearances is the mandala of the wisdom deity. (I believe this is close to correct quote I think it can be found around page 10 of White Sail)
Now, in Longde view Samantabhadri, the great non-dual dimension of reality, pervades every appearances and being – the external container and the contents (beings). Nothing ever moves even the tiniest bit from this sphere of totality. Ever! Planets float in space never moving from space. The intrinsic way of abiding of all phenomena is never separated from the All Good (Kuntuzangp0 – Kuntu – always – zang – good) The unchangeable Dharmakaya and sambhogakaya are always all good – always already good, pure, perfect. The changeable Nirmanakaya depends on the liberated or unliberated vision of so called beings. The view of Longde is the splendid great freedom beyond the trap of is and is not”. It is a freedom from all angles of view, all-partial views, freedom from all “sides”. This profound view is like a lion wandering free. It enjoys objects releasing everything, and every thing, in the natural great expanse.
The view of Trekchö is beyond all boundary and explanation – it is the originally pure wisdom free from ignorance and all thoughts. It is the natural purity, kadag, and the spontaneously present self-radiant emptiness clarity. Its energy is the responsiveness of compassion intentionless display. This view transcends reason’s manipulations and requires the direct pointing out from master to disciple. Within this pointing out one comes to a decisive conclusion about the inseparability of awareness emptiness, clarity emptiness and compassion display. This wisdom beyond all categories is not an object of cognition; it is not a consideration for the conceptually bounded mind and beyond existing or not existing.
In all of these views intellectual consideration is beneficial only to establish confidence in the view. Then one must receive transmission and instruction from a qualified master and engage the meditation and conduct related to the particular view one practices. In regard to your question –
Form the point of view of Dzogchen appearances are the protean energy of awareness. They are the self-manifesting luminosity of awareness. If the self-cognizing aspect of awareness recognizes the luminous display as its own inherent play then this is self-recognizing and self-liberating great awareness and there is no other Buddha than this. If the self-glow of awareness does not recognize its own glow as objects, the real nature of objectivity, and its own cognizance as the real nature of subjectivity then it rigpa is dulled down and becomes marigpa (delusion). Recognition of the actual nature of awareness and appearance is the only factor and determines whether one is a sentient being or a Buddha.
Ok – Part II – the all basis consciousness.
If mind’s own great self-liberation is missed then the nature of mind devolves into the mind’s endless functioning according to the delusion of duality. In this case the single wholeness of awareness appearance becomes the mandala of what is fixated upon and the mandala of grasping. One becomes lost in the ceaseless play of apprehender and referent. Let me explain briefly.
The appearing aspect of mind’s nature becomes the red drop (here I am also using the language of the tsa lung tiglé (nadi, prana, bindu) and all appearances – the mandala of that which mind fixates upon. The mind’s cognizant aspect becomes the white drop – the subjective entity – the mandala of that which grasps. Now one might think that since red/female/ is related to emptiness why does the red aspect becomes seeming objects and appearances? This is because the TRUE nature of all appearances is great emptiness. This truth can even be found in second turning’s Prajnapramita sutras and is well explicated in the profound works of Longchenpa and 3rd Karmapa.
Once this duality has happened then the explanations according to the 8 consciousness schools becomes very useful. Here there are the five sense consciousnesses, the sixth mental consciousness, the seventh the afflicted mind and the all basis consciousness.
3rd Karmapa says that it is from the unimpeded playfulness of Mind itself – the nature of mind – that everything arises unimpeded. The essence of all arising always remains unborn emptiness and , according to secret mantrayana, all appearances are always the unity of co emergent great bliss emptiness. BUT…… when mind is ignorant of itself then something else seems to happen.
Mind becomes ignorant of itself because it fails to recognize seeming external appearances (salt shaker) as its own radiant playfulness. Instead it takes the cognizing aspect to be a apprehending subject and the luminous empty appearance to be an actually existent external object – a referent.
How does this happen? The mind’s radiant moving aspect stirs the habit patterns within the all basis consciousness-giving rise to the habitual four afflictions. 1. The sense of a subjective entity (an “I”) 2. Attachment to this sense of self 3. Concepts considering the collections of sense and sense object and 4. Ignorance.
The seventh mind is the movement which can be pure or impure depending on recognition and it is this mind that places the traces from the other consciousness within the alaya – all basis consciousness.
It is the humorous fact that mind is ignorant of itself due to itself. Mind fails to recognize its own luminous appearances as itself and mistakes perception to imply the duality of apprehender and referent.
To put this in terms of Vajrayana’s inner methods: The great single wholeness – the ground luminosity – is stirred by the movement of radiance and (in non recognition) the seventh mind moves like waves on the water. Due to this what is not two – awareness and appearance – appears as two. Because the mind’s radiance moves outward luminosity seems to become appearances separate from mind’s essence and this gives rise to the six gatherings – the meeting of sense consciousness and sense object.
Because of this root delusion realms and beings come into play. Each realm and beings I a pattern of action and response rooted in delusion – the mistaken perception of duality. The patterns are variations on the basic ignorance of attraction, aversion and indifference to seeming subject and object.
First mind, as subject, connects to seeming external object – appearances arise in this moment and increase with the responses to the connection. When the mind begins to generate concepts about objects then the objects are “attained” The way in which appearance, increase and attainment happen and the way in which these are dissolved in the completion phase – dissolved back into luminosity – is the essence of the profound methods of secret mantra.
So to recap –
There is no appearance that is extrinsic. There is no anything! Ever. From the view of yagacara it is only minds habits – only mind. From the view of Rangtong it is only emptiness. From the view of Dzogchen it is mind’s own radiant playfulness. (rolpa tsal)
Mind itself creates the appearance from its playfulness and either does or does not recognize it has done this. In Dzogchen this truth is pointed out and one practices according to the differing cycles in order to remove doubts and remain stable in the definitive conclusion about appearances that one has attained through direct introduction. In Vajrayana one removes the stain of impure view through 1. generation phase which clarifies gross misconceptions about appearances and 2. completion phase that removes subtle dualisms.
Here, in this AwarenessAppearance as a single word – this AppearanceLove as a single word, Mind’s own nature reveals itself to itself through the play-filled manifestation of itself. It also falls ino confusion … about what? About itself! How? Through misunderstanding Itself – its own radiant non-dual play as knower and known, apprehender and apprehended ………. Nothing strays from the way of abiding of great wholeness. If we KNOW this and not just the words then the end of suffering is experienced and ones actions become the aimless great love that intentionlessly works to benefit illusory samsaric beings.

https://www.facebook.com/notes/traktung-khepa/dzogchens-three-divisions-and-the-all-basis-wisdom/10153038464635518

Thursday, October 29, 2015

.Lha Bab Düchen (Wyl. lha babs dus chen), the 'Festival of Buddha's Descent from Heaven'

(November 3rd is the day for this celebration this year)

  .Lha Bab Düchen (Wyl. lha babs dus chen), the 'Festival of the Descent from Heaven'

— One of the four major Buddhist holidays. It occurs on the 22nd day of the ninth Tibetan month. Buddha’s mother Mayadevi was reborn in Indra’s heaven. To repay her kindness and to liberate her, and also to benefit the gods, Buddha spent three months teachings in the realm of the gods.

When he was about to return to this world, Indra and Brahma manifested three stairs of 80,000 yojanas each reaching this world in Sankisa. As the Buddha walked down the central one, they accompanied him to his left and right carrying umbrellas to honour him. He descended to earth in Sankisa, which is located in modern Uttar Pradesh, and which is counted among the eight holy places.


During this day, positive or negative actions are multiplied 10 million times. Happy Lhabab Duchen one of the 4 great Buddhist festivals commemorating four events in the life of the Buddha, according to Tibetan traditions. Lhabab Düchen occurs on the 22nd day of the ninth month on a Tibetan calendar. This is a Buddhist festival celebrated to observe the descent of Buddha from heaven back to earth. Buddha had left for heaven at the age of 41, having ascended to The Heaven of Thirty-Three (Trayastrimsa) in order to give teachings to benefit the gods in the desire realms and to repay the kindness of his mother by liberating her from Samsara. He was exhorted by his follower and representative Maudgalyayana to return, and after a long debate managed to return. This is considered to be one of the eight great deeds of the Buddha. He returned to earth by a special triple ladder prepared by Viswakarma, the god of machines. On Lhabab Duchen, the effects of positive or negative actions are multiplied ten million times. It is part of Tibetan Buddhist tradition to engage in virtuous activities and prayer on this day. -Lama Tsultrim Allione

You ask why Guru Rinpoche, in the form of the Yogi Nyima Ozer, is in a bar drinking alcohol?

You ask why Guru Rinpoche, in the form of the Yogi Nyima Ozer, is in a bar drinking alcohol? Because you and all beings are just in this place - this drunken tavern. The tantric yogi remains in this realm and drinks the intoxicating nectar of experience transforming it into amrita – the nectar of deathlessness.
The bar where this yogi is drinking is the nature of our intoxication and delusion within samsara. The sun and moon are the internal and external nature of time, alternation and desire. When a yogi becomes master of her or himself then they are master of the world of experience.
Nyima Ozer is the form of Guru Rinpoche who transcended time through his yogic mastery of sexuality and his display of third concduct – the conduct in accord with tantra. Externally there is the ever changing nature of the four seasons – internally there is the ever changing nature of moods, flavors of feeling related to the play of bindu or the red and white drops of the subtle body. These drops are the nature of gender and desire.
In the story of Nyima Ozer, when he stabs his phurba into the barroom table, he stops the sun and the moon in their cycling across the sky. This is the yogi’s challenge – to be able to stop and start the cycling of alternations. Nyima Ozer stops the sun and the moon in their tracks – and he also allows them to begin their journey and play again once mastery is acknowledged by the king. - t.k., from talks on the manifestations of Guru Rinpoche (via Traktung Khepa on facebook Oct 29 2015)
https://www.facebook.com/photo.php?fbid=10207027508278646&set=a.10200849573634141.1073741833.1608162044&type=3&theater

Tuesday, October 27, 2015

Special Request from Ven. Gyatrul Rinpoche: October 25th, 2015 Be very mindful next ten days.

Special Request from Ven. Gyatrul Rinpoche:
Everyone Please Be Careful and
Recite Mantra Continuously
October 25th, 2015
"Please, everyone, be particularly mindful for the next ten days. Recite mantra as much as you can, whatever you are doing. You can recite Guru Rinpoche's mantra - OM AH HUNG BENZAR GURU PEMA SIDDHI HUNG. Or if you practice Vajrakilaya, you can recite the Kilaya mantra - OM BENZAR KILI KILAYA SARWA BIGHNEN BAM HUNG PHET. Either way, the mantra will help protect you, both by making you more mindful and by the protective blessing of the deity. I feel this time right now is a little bit delicate and we need to be careful not to create obstacles.
Particularly you who are working - doing projects, building things, you carpenters and workers - be very careful with your tools and mindful with all your actions so that you don't harm yourself in an accident.
But not only the workers! No matter what you are doing, everyone should be a little extra careful during this time, men and women, young and old, whether you are driving or sitting or anything.
Actually, if you are driving, be particularly careful. Everyone drive very mindfully. People are crazy in their cars, not paying attention. Everybody focus on the road and be conscious, and say mantra as much as you can.
If you are cooking, do your cutting and cooking consciously. If you are walking, be aware. Whatever you do, do it very safely. If you are hunting, be careful - what are you going to hunt, anyway? You are just hunting yourself.
Say mantras continuously, as much as you can, whatever you are doing, more than your usual blah, blah, blah. In fact, except when your mouth is busy eating, it should be saying mantra during this time. When you are engaged in activities, you don't need to particularly focus on the mantra, but continue to say it. Then whenever you can focus for a minute, pay attention to the syllables you are saying and remember the deity. That will help protect you.
Anyway, maybe everyone thinks I am crazy and making some big deal. Maybe I've gone too far. Maybe you think I'm exaggerating. That's okay - I am crazy. My job is just the announcement. If you are going to practice or not, that is up to you. If you believe me or trust me, be careful. If you don't trust me, you don't have to follow what I say. If you don't buy it, that's not my problem. I'm not going to follow each person around saying, "Hey! Practice!" It's up to you.
Hopefully we won't make obstacles and screw ourselves up. So everybody try, okay?"
Tashi delek!
-Gyatrul Rinpoche

SINGABLE 21 PRAISES TO AYRA TARA via Erik Pema Kunsang at blog http://levekunst.com/singable-21-praises-to-ayra-tara/




TANTRIC POETRY by Erik Pema Kunsang10/27/20151 Comment
The Buddha Shakyamuni sang these twenty-one verses spontaneously.  They are considered to be of tantric nature, each verse has four levels of meaning: literal, general, hidden and ultimate. Our normal reality in each moments contains same infinite vastness and depth and this tantra helps understanding it. There are many books in English that open up for this depth of meaning, not only by explaining the nature of this wonderful female buddha, but also by helping us to connect with the nature of our minds.
Tara made the promise that whoever sings her praise with her name mantra, even if it be only the first verse, will be touched by the light ray of love and compassion, feel an immediate relief from fear and worry, gradually undo what burdens the heart and ultimately be at one with her level of realization, true freedom and enlightenment.
It’s a great joy to disconnect part of the intellectual mind and instead glide on the gentle wind of melody. Previously it has been sung in Sanskrit and Tibetan to free the meditator’s mind while singing. Now we can chant it in English in this singable version performed beautifully by Sascha and Rodrigo.
Here is a link to a free download that can help unpack this praise that has chanted by millions of meditators since it was first expressed.
OM
Homage to Tara, the noble and sublime.
Homage to TARA, the swift and courageous,
You drive away all our fears with TUTARA,
Savioress fulfilling all aims with the TURE,
With syllables SOHA we offer you homage.
Homage to Tara, the swift and courageous,
Gaze is as quick as flashes of lightning,
From Lord of Triloka, his face like a lotus,
You rose on a billionfold blossoming stamens.
Homage to you with a face that resembles
A meeting of one hundred full moons in autumn,
And who with the brightness of stars by the thousands
Shine in a vast perfect light of resplendence.
Homage to you, the golden-hued lady,
Whose hand is adorned by a blue lotus flower.
Your scope of activity is giving, exertion,
Fortitude, peace, tolerance, meditation.
Homage to you, the victorious, boundless,
From the tathagatas’ crown emanated.
Those who obtained every transcendent virtue,
Offspring of victors, rely on your guidance.
Homage to you filling Realms of Desire,
Its aspect and space with the HUNG and TUTTARA.
Sevenfold worlds under feet you can trample;
You bring all and everything under your power.
Homage to you who is worshipped by Indra,
Agni, Marut, Vishveshvara and Brahma.
All the vetalas, bhutas, gandharvas,
As well as the yakshas, give praise in your presence.
Homage to you, who by TRAT and the PHAT sounds,
Crush every magical wheel, evil forces.
Right leg extended and left bent, you trample,
Within whirling flames you are blazing intensely.
Homage to you, the swift, terrifying,
Who conquers the most tenacious of maras.
Knitting the brow on your lotus-like features,
You slay every foe without an exception.
Homage to you, with your fingers in mudra
Adorning your heart to show the Three Jewels.
Your masses of light are beautiful, swirling,
Connecting with every direction, in circles.
Homage to you, from your crown manifesting
Joyous, majestic, brilliant garlands.
With the great clangor of laughter TUTARE,
Demons and worlds are in your domination.
Homage to you with the magnetize-powers,
Who gather protectors of earth in assembly.
With syllable HUNG and your brow which is frowning,
You liberate every poor, destitute being.
Homage to you, with the crescent, a moon-crown,
While your adornments so brilliantly sparkle,
And Amitabha is placed in your topknot,
Ceaselessly, vast rays of light radiating.
Homage to you, seated in flaming garlands,
Engulfed in a fire like the end of the kalpa.
Right leg extended and left bent, defeating
Enemy hordes with your joy-bringing, swirling.
Homage to you, with your palms you are striking
The earth while using your feet to be stamping.
Regally frowning, with the hung letter,
You shatter the sevenfold layers of lokas.
Homage to you, blissful, virtuous and peaceful,
Enjoy the domain of the tranquil nirvana.
Fully possessing the om and the soha,
You overcome even the greatest of evils.
Homage to you, who encircled by joyous,
Utterly smashes the forms of opponents.
Clearing away with the HUNG of awareness,
Arranged is the mantra by tenfold of letters.
Homage to you, with feet stamping TURE,
Fully presenting the form of the HUNG-seed,
You cause the three worlds to all be atremble,
Including Mount Meru, Mandhara and Vindhya.
Homage to you in whose hands is a deer-marked,
Shaped like the devas’ ocean of nectar.
Sound of the PHAT and the twice uttered TARA,
Without an exception, dispels every poison.
Homage to you, who is asked for your guidance
By rulers of devas, by gods and kinnaras.
Your armor of joy, a radiant brightness,
Removes every nightmare and calms every quarrel.
Homage to you, whose two eyes are shining,
With brilliant light like the sun and the full moon.
By TUTTARA and with the twice chanted HARA,
You clear away even infectious diseases.
Homage to you who can calm down completely,
Through the array of the threefold thatness.
Crowds of vetalas, bhutas, and yakshas
Suppressed with the TURE, sublime mother Tara.
Together with this, the root mantra in praise form,
These were the twenty-one verses of homage.
Translated by Erik Pema Kunsang.
Music by Tara Trinley Wangmo.
Rearranged and singing by Sascha Alexandra Aurora and Rodrigo Reijers.
ABOUT THE AUTHOR
Erik Pema Kunsang

ERIK PEMA KUNSANG

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Translator of ancient Buddhist scriptures, author, bridge-builder to modern life, Buddhist teacher & meditation instructor. Founder of LEVEKUNST art of life. Other LEVEKUNST articles by the same author. Erik's website & retreats.
Tangkha photo by Boudha thanka, Nepal. The face of Tara is from a statue at Nangkyi Hermitage, crafted by Senge under the guidance of Tulku Urgyen Rinpoche.

Jigme Lingpa via Nyingma Masters on facebook https://www.facebook.com/nyingma.masters/photos/a.664868596951329.1073741828.661664957271693/724661414305380/?type=3&theater



Mesmerized by the sheer variety of perceptions, which are like the illusory reflections of the moon in water, beings wander endlessly astray in samsara's vicious cycle.

In order that they may find comfort and ease in the luminosity and all-pervading space of the true nature of their minds, I generate the immeasurable love, compassion, joy and equanimity of the awakened mind, the heart of bodhicitta.

~ Jigme Lingpa